Showing posts with label screenwriter. Show all posts
Showing posts with label screenwriter. Show all posts

Tuesday

TO PAGE 60!

So here we are at page 60 of MELEK RIK. 30 pages to go. And things are happening right on schedule. The previous parts are here, here and here.

The best thing is, in my mind, I'm starting to plot out my next screenplay. That means I'm in total control.



motel fire








INT. MADDIE’S BEDROOM - NIGHT

The bloody bat is gone from over the headboard.


EXT. A PATH IN THE WOODS NEAR WHIT & KID’S CABIN - NIGHT

A line of burning torches. Sound of many footsteps on the path. No one speaks. Men’s forms and faces in the flickering flames, half-glimpsed, half-seen.

A CABIN up ahead in the dark. No lights in the windows.

The footsteps stop. Suddenly, we see Maddie’s face in the torch light, every feature, every line in sharp relief. We see the bloody bat.


MADELINE
......Let’s roll!


EXT. MAIN STREET - DAY

The Coeur d'Alene VAN rounds the corner, horn honking. It stops and lets Kid off. He straps on his heavy backpack, waves to the Driver, walks up the road.


EXT. THE PATH - DAY

Kid walks slowly, carefully balancing his burden. Suddenly, a “something’s not right” look on his face. He stops. He sniffs the air.


EXT. THE CABIN - DAY

A single blackened chimney is all that’s left of the cabin.

The Preacher, a cloth against his nose, has just begun shovelling dirt into a grave as Kid bursts into the clearing. Kid throws his backpack down. Kid's face tells us the stench is overwhelming.

The Preacher drops the shovel, grabs hold of Kid, picks him up and throws him into the grave.


PREACHER
......They came looking, you worthless country
......cocksucker. They didn’t find you ‘cause you
......were still out and about enjoying yourself. But
......they found Whit. Wherever he is, he’s cursing
......you with every hellfire breath he has. Cursing
......you 'cause you can’t control your devils. And
......down the road, when you and he meet up,
......I hope he - -

Kid claws at the loose dirt. Whit’s rotting head, leaking ooze from the eye sockets, pops to the surface. He screams.


PREACHER
......I should bury you with him. What the hell
......were you expecting? Did you think that
......boy wasn’t gonna spill the beans on you?


KID
......Please. You got to help me! You got to
......save me.

The Preacher points.


PREACHER
......I’ll do this much for you. The hills are
......that way. I strongly suggest you start
......running.

The Preacher drops his shovel, starts to walk away.


KID
......You bastard! You’re leaving me with
......nothing! You’re leaving me with - -

He stops, turns, as Kid struggles to climb out of the grave.


PREACHER
......I leave you with your life. Which is more
......than you deserve.


INT. A CELL BLOCK IN A PRISON - DAY

Everywhere we see overcrowding, filth and misery. Outside each cell door, a bucket of human waste. Bolivar and the Major walk past the cells, escorted by two uniformed PRISON OFFICIALS. The Major holds a scented handkerchief to his nose. Bolivar scans each cell they pass with a critical eye. He frowns.


BOLIVAR
......That man has a book.


OFFICIAL 1
......It’s a religious book, General.


BOLIVAR
......He shouldn’t have it. Call him.


OFFICIAL 2
......You! Come here!

A PRISONER in Cossack dress comes to the bars.


BOLIVAR
......What does your book say?


PRISONER 1
......It says the rich and the strong already have
......their reward, General.


BOLIVAR
......Show me. Show me the page.

The Prisoner opens to a dogeared page. He holds it up. Bolivar reaches in, rips the page out. They walk on.


MAJOR
......You enjoyed that. You take pleasure in the
......misery of others.


BOLIVAR
......On the contrary, I did him a favor. He was
......operating under the illusion that the world is
......just. I gave him a proof that it’s not.


OFFICIAL 2
......Shall I go back and confiscate the book?


BOLIVAR
......Let him keep it. But tear out a page each
......day. Start with the end and end with the
......beginning. Over time, I expect his sense
......of hope will waste away like that of a
......starving African.

At the far end, the door opens. A MAN pushing a cart enters. The door clangs shut. We hear him calling “Garbage! Garbage!” as he picks up the slop buckets one by one and loads them.


BOLIVAR
......You keep pestering me for a command.
......All right. You have it. Yours to do with
......as you see fit.


MAJOR
......Where, Father?


BOLIVAR
......The Rocky Mountains. And the river
......valleys that empty into the Western
......Sea. Should keep you busy and out
......of my hair for a long time.


MAJOR
......I’ll need an army.


BOLIVAR
......So you will.

Bolivar stops at a cell, signals for the ragged filthy man inside to approach him.


BOLIVAR
......What’s your name, my good fellow?


PRISONER 2
......Tarik, sir.


BOLIVAR
......Have you ever led troops, Tarik?


PRISONER 2
......Never, sir.


BOLIVAR
......Ever served in the army? Ever killed
......a man?


PRISONER 2
......No, sir.


BOLIVAR
......This man is exceptionally qualified,
......uncorrupted by the flawed practices
......of the past. Do you see that man,
......Tarik?


PRISONER 2
......Yes, sir.


BOLIVAR
......That is Matthew, my less than useful son.
......Your job is to help him carve out his empire,
......so he’ll keep his nose out of my business.
......Think you’re up to the task?


PRISONER 2
......I’m your man, sir.


BOLIVAR
......Don’t be my man, Tarik. Be his man.
......Matthew, I give you your first recruit.

Bolivar grins a wicked grin and walks away. The Major stands, hanky to his nose, watching him. Then he turns to the Slop Bucket Man who’s now very close. We see it’s an old, bent, wasted Danny Prophet.


PRESIDENT
......Garbage! Garbage!

Prisoner 2 tugs at the Major’s sleeve. He wipes his nose.


PRISONER 2
......Hope you have a nice thick uniform for
......me, sir. It’s been cold in here. I’ve
......been a bit sick.


EXT. THE BALLPARK - DAY

Ten BOYS, ages eleven to fifteen, play a game of workups. A DOG lies in the shade of a tree. We see Jonah.


KID (O.S.)
......Told you they’d be there. They play ball
......almost every day. I watch ‘em from here.


EXT. A NEARBY HILLTOP - DAY

A platoon of SOLDIERS stands in a grove of trees in combat gear. Nearby, lower down in a gulch, a military HOVERCRAFT rests a foot above the ground, its power system silently purring. Kid stands next to the OFFICER-IN-CHARGE, who scans the diamond with binoculars.


KID
......They’re good boys, most of them. Good workers.
......Good students. They listen to their elders. They
......pay attention. They’ll make first-rate soldiers. I
......know them all and one thing I know for a fact is - -

The Officer-In-Charge turns.


OFFICER
......How about if you just have a big cup of shut the
......fuck up?


EXT. A MEETING HALL - DAY

Twenty old Buses and Trucks parked in a row. Two armed MEN patrol the area.


WOMAN 1 (O.S.)
......It’s that faggot getting even! Shouldda
......killed him when you had the chance,
......Preacher!


INT. THE MEETING HALL - DAY

Guns, coats and hats at the door. The Preacher at lectern.

A frightened, angry CROWD. Some of the WOMEN sob quietly. We see Kenny, Maddie, Tammy and Wendy.


PREACHER
......Kid had nothing to do with this.


MAN 2
......Preacher’s talking through his hat.


PREACHER
......Watch it! I tell you, this ain’t Kid. He couldn’t
......conceive of something this big. Hasn’t got the
......brain. Anyway, he’s long gone. Probably eaten
......by wolves. And even if the wolves didn’t, wasn’t
......him. If he’d of tried, the boys would of beat the
......crap out of him. Or outrun him. One or the other.


WOMAN 2
......Then what happened to our boys?

An shrivelled old MAN with wild eyes and hair below his shoulders speaks up.


MAN 1
......Vampires! Vampires, I tell you. Vampires out
......there. I seen ‘em.

Some of the Women start crying louder.


PREACHER
......How can you say it was vampires? Where’s
......the blood? Vampires need blood.


MAN 1
......There was no blood because they took ‘em
......for later. Use your head, Preacher. They got
......‘em all in a big pit somewhere. When they
......need blood, they pull one out and open a vein
......or an artery. One or t’other.


PREACHER
......How do you explain no sign of a struggle?


MAN 1
......There was no struggle because they use
......mind control. Everybody knows vampires
......disable their victims with telepathic beams
......of mass energy. They marched ‘em off into
......the mist like wooden soldiers.

More of the Women start crying out loud.


KENNY
......Oh shit!


MAN 1
......You go ahead and laugh, Ken Wetzel!
......But that’s how vampires operate! There’s
......books that’ll tell you that. If you ever read
......a book.

He stands up.


MAN 1
......Mark my words, some day, when we least
......expect it, our boys will return and their
......brains’ll be gone and they’ll have the look
......and smell of living death. Mark my words.
......Come on, girls. We’re leaving.

Three twentyish LADIES stand and follow him out the door, leaving behind a roomful of wailing Women.


PREACHER
......All right. All right. Calm down, everyone.
......Let’s think this thing out. Let’s brainstorm.
......Let’s consider the facts.


MAN 3
......What gets me is there was no fight, no one
......got away. How could that be?


PREACHER
......Got a theory. I read in a book about a kid
......who led these other kids on a crusade to
......Arabia. He had a powerful personality and
......all the other kids obeyed him without question.
......He’d walk up to a kid and say, “You’re going
......with me” and the kid would do it.


WOMAN 1
......You saying one of our boys led the others
......off on some wild goose chase?


PREACHER
......Don’t jump ahead, Sarah. Just considering
......the possibilities.


WOMAN 2
......Well, my Clement ain’t no svengali. So don’t
......you even suggest it.


MADELINE
......And Jonah wouldn’t do anything like that, either.
......Anyone who says he would is a liar.

Everybody springs up. Everybody starts shouting.


INT. KENNY’S BUS - DAY
Just before sundown. Maddie, Tammy and Wendy sit silently side by side in the front passenger bench. The Bus approaches the motel. We see Maria and two older Boys and a teen-aged Girl, all armed, standing guard outside.

A look of relief on Maria’s face.


INT. MADDIE’S BEDROOM - DAY

Sound of kids playing somewhere outside. The bloody bat in the rifle rack. Maddie sits, stares through open window.


EXT. THE HILLTOP - DAY

Maddie sits and stares at the deserted baseball diamond.


EXT. SOMEWHERE IN THE FOREST - NIGHT

Alan walks. He’s dressed in military camo. He walks softly, carefully, stealthily, like one born to the trail. He suddenly stops. His face tells us he hears something that’s not quite right.


EXT. SOMEWHERE CLOSE BY - NIGHT

Maddie walks softly, carefully, stealthily, keeping the underbrush between her and her prey, as she stalks Alan.


EXT. BACK TO ALAN - NIGHT

Alan slowly takes out his weapon, turns, moves swiftly, silently, catlike, toward Maddie’s position.


EXT. SOMEWHERE CLOSE BY - NIGHT

Maddie watches from her hiding place as Alan bursts through, weapon at the ready. She sees him slowly turning a 360, scanning, surveying. Finally, he puts his weapon away, returns to continuing his walk. Maddie emerges and continues her stalking him.


EXT. THE MOTEL - DAY

Three choppers parked next to the bus.


KENNY (O.S.)
......We thank thee, Lord, for these thy
......gifts received from thy bounty. ln
......the name of thy only begotten Son,
......Jesus Christ, our Lord. Amen.


EVERYONE (O.S.)
......Amen.


INT. THE DINING ROOM - DAY

Back when it was a functioning motel, this room was the cafe. Now it serves as the communal dining space. Maria, Tammy and Wendy each sits at a separate table with her children. Maddie sits alone.

Kenny sits at a table with his three guests, POPS, SONNY and GHOST. Everyone eats silently. Maddie picks at her food.


POPS
......lt's not every man that can live off
......the land, you know? Do your own
......thing in your own time. You should
......be proud.


SONNY
......Can we have some more coffee?

Kenny nods to Maddie. Maddie gets up, pours coffee for the Men and sits back down. The Kids at Tammy’s table snicker at a secret joke.


EXT. THE MOTEL - DAY

Pops, Sonny and Ghost get ready to leave. Tammy, Wendy, Maria and Maddie stand on the porch.


POPS
......The blonde one. She’s barren?

Kenny nods.


POPS
......She’ll conceive. Soon. She’ll have
......a boy.


KENNY
......How’s that gonna happen?


POPS
......................(A wise smile)
......Same way everything in the universe
......happens. Thanks for the food and the
......good company and the alcohol for our
......machines. And thank you for leading the
......prayer.

They rev their choppers and leave. Kenny looks up at the Women.


KENNY
......He says Maddie’s gonna have a
......baby boy.

Maddie laughs. It’s a dark, angry laugh.


EXT. SATELLITE IN ORBIT - NIGHT


SATELLITE TRANSMISSION
......God is great. I bear witness to no god
......but God. I bear witness to...


EXT. A HILLTOP - NIGHT

Alan eats dinner.


RUFUS (O.S.)
......There’s an old motel I want you to
......take a look at. It’s near where
......you are.


ALAN
......Yes, sir.


INT. RUFUS’ OFFICE - DAY

Classical music plays. A portrait on wall of an older, graver Bolivar.


RUFUS
......Stand by for coordinates download. Good
......luck, Major.

Rufus presses a switch. He turns, smiles. It’s a nervous, brittle smile.


RUFUS
......It’s been a good day. I’ve done some good
......work. There haven’t been very many days
......lately where I can say that.

Kid, in an immaculate military uniform, walks to the wet bar.


KID
......A drink, sir?


RUFUS
......A drink. Yes. I think I will.


EXT. THE HILLTOP - DAY

Maddie sits and stares at the deserted baseball diamond.

In the distance, we see the motel. We see Wendy, Tammy and Maria and all the kids, fishing poles in their hands, climb aboard the bus. We see the bus drive off, horn happily honking.


EXT. THE MOTEL - NIGHT
A fire consumes the motel. We see Maddie dancing before the flames.


INT. KENNY’S BUS - NIGHT

The Bus races toward the blaze. We see Maddie, bat held like a warclub, the fire behind her enveloping her, making her appear like an avenging angel.


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EVEN FURTHER BEYOND PAGE 25. More Melek Rik.....

MELEK RIK keeps going. More pages. We're up to about page 47, nearing the halfway point. Soon things will explode, but in a way you never expected...


Fairmont_Hotel_Dining_Room



INT. THE ENTRY HALL OF A PALACE - DAY


Armed GUARDS stand vigilant at each entrance. Sound of a man in boots walking on tile. He's coming closer. Subdued lighting. Soft, plucked-string music. Polished deep red Persian marble. Lights focus on an ornate open casket.


Bolivar approaches. He removes his headdress, stands silently, looking down at the glassed-in MUMMY of a Chinese woman in her early 40’s.


Suddenly, reflected in the glass, the face of MAJOR MATTHEW BOLIVAR, 28, soft eurasian features. He bites his lip.



MAJOR
................................Father.


Bolivar does not acknowledge him.



MAJOR
................................I want an independent command.
................................I want a token of a father's trust.



BOLIVAR
................................Wrong time, wrong place,
................................Matthew. Your mother was a
................................stickler for timing. And she
................................had a sense of place.



MAJOR
................................She’s not my mother anymore!


The Major storms out, pushing a Guard out of the way. Rufus emerges from the shadows.



RUFUS
................................He has a new lover.



BOLIVAR
................................Male or female?



RUFUS
................................Why, female, of course.



EXT. A LARGE BARN - NIGHT


Bright lights inside. We hear DANCE MUSIC. We hear a deep-voiced woman singing over a record. A line of old CARS and BUSES are parked in a field of weeds. In the bed of one pickup, a generator runs noisily. A cord snakes from the generator to a plug at the barn door.

A bus approaches. It’s the same old rattletrap we saw earlier at the motel. It halts near the entrance. The door slides open. Maddie and Tammy hop out. They’re dressed in jeans, cowboy shirts and boots. They grin. The MAN tending the generator calls out.



MAN
................................Kenny! Got any alcohol?



KENNY (O.S.)
................................Might have a gallon or two.


The man holds up a five-gallon gas can, shakes it.



MAN
................................Sure could use some. Running
................................low.



INT. THE BARN - NIGHT


Fifty MEN and WOMEN dance. A dozen teenaged BOYS and GIRLS stand at the wall. Whit, hair thinner and greyer, tends an old CD player. A song like “Wonderful Tonight” plays. A LARGE WOMAN with a powerful voice stands on a raised platform singing along with the song into a microphone. The song ends. Everybody applauds.



LARGE WOMAN
................................Now we got one just for the young
................................folks.


The Men whoop it up.



LARGE WOMAN
................................What song you got, Whitney?



MAN IN CROWD
................................Better be a good one!


Whit waves a CD, inserts it into the player. A few of the WOMEN prod the teenaged Girls to pair up with the Boys, just as a “Crocodile Rock” type song plays.


The Teenagers dance. The Adults clap, urging them on. The Large Woman sings over the song. She’s pretty good. Maddie, a mean look, saunters up to Kid, who sits near Whit, drinking from a flask and trying not to be noticed. She yanks him out onto the floor, gives him a dangerous look. They dance. Everyone appears to be trying hard to ignore them. Kenny gives Tammy a “here we go again” look.



EXT. AMONGST THE PARKED VEHICLES - NIGHT


From inside, we hear a loud fast song playing. A lot of whooping and hollering and laughing. Maddie has Kid pinned on the bed of a pickup. She straddles him, kissing him hungrily. Kid tries pushing her off, but she is relentless.



MADELINE
................................It’s O.K. I won’t hurt you. It’s O.K.



KID
................................Stop it! Goddammit, I mean it!
................................Whit’s gonna wonder where I am.



MADELINE
................................Whit's doing just fine.


Maddie pulls at Kid’s clothes. He gets an arm free and hits her in the face. She hits him back and grabs him, squeezing him hard.



MADELINE
................................Don’t you hit me. Don’t you ever
................................think of hitting me.



KID
................................Don’t hurt me, Maddie. Please.


She takes out a bottle, pushes it at him.



MADELINE
................................Shut up. Now drink.


She starts to undo his pants as we hear the crunch of boots close by.



KENNY (O.S.)
................................Let him go.



INT. KENNY’S BUS - NIGHT


The headlights cut through the pitch black. Maddie sits alone in the front passenger bench. Tammy snores two benches back. Kenny turns his head, looks back at Maddie. She turns her head, looks out the window into the pitch black. Kenny suddenly jams on the brakes, bringing the bus to a screeching halt. In the headlights, a mountain lion nonchalantly saunters across the road.



INT. MADDIE’S BEDROOM - NIGHT


The bloody bat in a rifle rack over the headboard. Kenny and Maddie are naked on her bed, having intense, athletic, angry sex. Maddie’s on top, straddling him.



MADELINE (V.O.)
................................When a lion’s in heat, she has sex
................................hundreds of times. It’s not a
................................pleasure thing. It’s a numbers
................................thing. You don’t know which
................................slug’s gonna hit the bull’s-
................................eye. So you keep firing away.
................................Bang, bang, bang, bang, bang.



INT. JEREMY’S APARTMENT - DAY


A loud knock. Chloe and Jeremy freeze. The four CHILDREN, three Girls, Maggie, 9; Margie, 10; Maddie, 11; and one Boy, Mackie, 8, stare at the door apprehensively. Another knock, louder. Jeremy nods and recedes with the Children into the next room. Chloe opens the door to two unsmiling POLICEMEN.



POLICEMAN 1
................................Chloe Slezak.



CHLOE
................................No Chloe Slezak here.


The other Policeman looks past her into the apartment.



POLICEMAN 2
................................Jeremy Slezak, then.



CHLOE
................................No one by that name either.



POLICEMAN 1
................................All right. You want plodding? We’ll
................................plod. I need a word with the person
................................formerly known as Jeremy Slezak.
................................I suspect you know where he is. I
................................suggest you produce him
................................immediately if not sooner.


Chloe hesitates.



POLICEMAN 1
................................Take all the time you want.
................................Eventually, we’ll be inside.
................................It’s your choice how we get
................................there.



EXT. A RUDE BALLPARK IN THE HILLS - DAY


The bus is parked along the third base line. Kenny has the hood popped with the engine idling. He fiddles with the throttle. The engine sounds rough. On the diamond, seven BOYS practice barechested. Most are barefoot. They share five mitts. Maddie stands at home plate. She hits a sharp grounder. The Boy at short muffs it.



MADELINE
................................Keep the ball in front of you!
................................Don’t let it get by you! Knock
................................it down if you don’t catch it!


She hits another. The Boy at second snags it.



MADELINE
................................Better! Square your body! Look
................................the ball into the glove!



INT. THE KITCHEN IN JEREMY’S APARTMENT - DAY


Two taped-up cardboard boxes rest on the kitchen table. The two Policemen begin opening them. Jeremy looks nervous.



POLICEMAN 1
................................Just two? That’s all?



JEREMY
................................They were together only five
................................months before. Before what
................................happened, happened.


The two Policemen rip the tape off and open the boxes.



POLICEMAN 1
................................Just some papers.



POLICEMAN 2
................................Photo Albums. Shit.



JEREMY
................................I never opened the boxes.



POLICEMAN 2
<...............................What do you know about her?



JEREMY
...............................I met her only once. She
...............................didn't seem the type. I
...............................don't know what she saw
...............................in him. She seemed
...............................nice. Almost sweet.



EXT. THE BALLPARK - DAY

There’s been a collision at home plate. The catcher lies sprawled, separated from the ball. Maddie stands over him. She screams at the top of her voice.



MADELINE
................................If they get the ball to you,
................................no excuse you not catching
................................and holding on! Rule number
................................one! They don't score! I
................................don’t care if your Mom’s
................................coming around third! She
................................goes down! You say "Sorry,
................................Mom” and dust her off. But
................................Mom don’t score!



INT. THE KITCHEN IN JEREMY’S APARTMENT - DAY


Policeman 1 pages through a thick legal document. Policeman 2 looks through a photo album.



POLICEMAN 1
................................Shit! Listen to this.
....................................(Reads)
................................Parties to this marriage have
................................discussed their future plans
................................and desires relating to having
................................children. Both parties hereby
................................acknowledge they shall not
................................have children. This is based
................................upon an analysis of the parties'
................................anticipated family structure,
................................financial situation and the
................................lifestyle the parties anticipate.



POLICEMAN 2
................................Pssst!


Policeman 1 looks up. Policeman 2, grinning, holds up a full-frontal nude pic of Maddie.



POLICEMAN 1
............................... There's your lifestyle.

They laugh.



INT. A LARGE ORNATE HOTEL DINING ROOM - DAY


Early morning. Clasical music plays. A scattering of breakfast eaters. Rufus sits at a corner table, surrounded by empty tables. A WAITER takes his order.



RUFUS
................................All-bran cereal, bananas, raisins,
................................Dry wheat toast.


The Waiter nods, leaves. At the far end, we see a MAN in a military uniform walking toward Rufus. He strides with purpose and precision. Rufus looks up, watches him approach. He's expecting him. As he draws closer, we see it’s Alan. Rufus indicates a chair. Alan sits, bolt upright.



RUFUS
................................Captain Wetzel. Congratulations
................................on your promotion. I knew a
................................Wetzel years ago. He was a
................................baseball player. Any relation?



ALAN
................................No sir.


Rufus points to a folder. Alan takes it, opens it.


INSERT: The Folder


An artist’s drawing of a thirty-five year old Maddie.


BACK TO SCENE



RUFUS
................................We got that from a fourteen-
................................year old photo. She’d be thirty-
................................five now. Still pretty.



ALAN
................................Yes sir. Very much so.



EXT. THE BALLPARK - DAY


The Boys play workups. Maddie never takes her eye off them.



MADELINE
................................Play hard! Play the game right!



KENNY
................................My mother was like you.


The Left Fielder heaves the ball toward home plate. It falls short and wide.



MADELINE
................................What’s wrong with hitting the
................................cutoff man?!



KENNY
................................After every little league game,
................................there was one-on-one with mom.
................................I’d come away feeling this high.



MADELINE
................................Made you a better player.



KENNY
................................Made me an asshole.


The First Baseman lets a pickoff throw get by him.



MADELINE
................................You asleep out there?!



KENNY
................................What happened to the game
................................of baseball?



MADELINE
................................It stopped being a game when
................................some of our "heroes" decided
................................to cut corners.


A long smoldering silence.



KENNY
................................Fuck you.


Maddie gives him a deadly serious look.



MADELINE
................................Any time, asshole.


Kenny opens the throttle wide. The engine quits.



EXT. A MAIN STREET IN A SMALL IDAHO MOUNTAIN TOWN - DAY


Jonah stands at the side of the road, He's nervous, but trying to look tough. An rickety old 15-passenger VAN rounds the corner, horn honking. We see the Van is half-filled. A sign in the front windshield: “Coeur d'Alene.” Jonah waves. The Van stops. Jonah speaks with a slight stutter.



JONAH
................................You going to Coeur d'Alene?


The DRIVER rolls his eyes, points to the sign.



INT. THE VAN - DAY


Kid taps Jonah.



KID
...............................Where you going?



JONAH
<...............................Coeur d'Alene.



KID
...............................I meant, where in Coeur d'Alene?


Jonah takes out a scrap of paper.



JONAH
...............................Going to this place. Getting a
...............................throttle and an alternator.


Kid snatches it.



KID
...............................Oh yeah. I know this. The
...............................Chinks. Two Chinese guys.
...............................Everyone says "The Chinks."
...............................How's your Dad?



JONAH
...............................Good.



KID
...............................And Ria? I mean, your Mom?



JONAH
..............................Mom's good.


Kid produces a flask, takes a swig.


KID
.............................Your Mom and Dad and me go way
.............................back. We all came here together on a
.............................train. Quite an adventure. Don't know
.............................if they ever told you.



EXT. THE VAN - DAY


The Van enters a forested area


JONAH (O.S.)
.............................Uh. Dad said he worked for the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,government. Back when we had
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,a government.



KID (O.S.)
...............................Oh, so they didn't tell you. Well,
...............................you're a man now. All grown up,
...............................your Dad sending you out alone
...............................on family business. Time you
...............................heard the story. This was before
...............................you were born. There was me
...............................and your Dad and your Mom
...............................and Mister Whitney and your
...............................Aunt Maddie. Here. Have a
...............................sip of this. Anyway...



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BEYOND PAGE 25...

Past Page 25, continuing with the MELEK RIK screenplay, in which our heroes, Maddie and Kenny, have crossed over into the opposite world and have established residence there...


motel



EXT. A SATELLITE IN ORBIT LOOKING DOWN ON THE NORTHERN ROCKIES - DAY


The Satellite is far away, barely visible, coming toward us.


SUPER: “TEN YEARS HAVE COME AND GONE. IT'S 2029. THAT'S IDAHO BELOW US. BOUNDARY COUNTY, IDAHO. A PLACE MELEK RIK HAS NEVER VISITED. BUT WHEN HE WAS TEN, HIS PARENTS TOOK HIM TO COEUR D'ALENE JUST TO THE SOUTH ON A VACATION...”


The Satellite closes on us.


SATELLITE TRANSMISSION
........................... God is great. I bear witness to
........................... no god but God...


The Satellite zips past and vanishes. Distant sound of Maria bearing a baby.



EXT. A NARROW MOUNTAIN ROAD - DAY


Sound of Maria having her baby. She’s closer now.


A battered school BUS parked on the shoulder in front of a weathered horseshoe-shaped twenty-unit MOTEL. What was once the swimming pool is now a garbage pit. Weeds have taken over most of the grounds. Ten CHILDREN, ages two to ten, play noisily in a grassy area. We see a swing, a sandbox, a tire hanging from a tree limb.


We hear the cry of a newborn.



INT. MARIA’S ROOM IN THE MOTEL - DAY


TAMMY
........................... Just beautiful.


Little Maria curled up on a bit of cloth in a corner. She gets up. We see she’s missing a leg and has only part of her tail. Maria in bed holding her newborn. Standing next to the bed, looking down at her and smiling, TAMMY, 32, and WENDY, 31. Maddie stands by the door. She doesn’t smile.


WENDY
........................... Came out so easy. You have a gift, Ria.
........................... Doesn’t she have a gift, Maddie?


MADELINE
........................... Yes. Yes, she does.


Maddie turns and walks out.



EXT. THE MOTEL - DAY


The screen door opens. We see Maddie on the stoop.


MADELINE
........................... Jonah!


A ten-year-old BOY stops playing, looks up. Maddie at the top of her voice. It’s an always-in-a-bad-mood, don’t-piss-me-off-anymore-than-I-already-am voice


MADELINE
........................... Go tell your father Aunt Ria had a baby boy!
........................... Get going!


The Children cheer. The Girls start playing mommy games. Jonah dashes off down a path past a very large GARDEN and what looks like a STILL.



INT. A TAVERN - DAY


Kenny, the center of attention, sits at a table with seven MIDDLE-AGED MEN. PREACHER, carrying two beers, approaches.


PREACHER
.............................Here, Kenny. On me. You earned it.


Grunts of approval all around.


KENNY
.............................Thanks, Preacher. Think I’ll pass.


PREACHER
.............................C’mon, boy. Loosen up. Jesus himself was
.............................known to tip one now and then.


BILLY
.............................I hear that, Preach. Jesus knew how
.............................to party.


PREACHER
.............................Careful, Billy. Don’t go crossin’ no lines.
.............................Bottle’s here just in case you change
.............................your mind, Kenny.


KENNY
.............................Gonna sit here and watch you all.
.............................Got myself a nice little streak going.
.............................When you got a streak, rule is
.............................don’t change things.


PREACHER
.............................Hear that, boys? Kenny says he’s
.............................got a streak.


KENNY
.............................Not just saying. Proof’s in the pudding.
.............................Five live births in a row? Bang bang
.............................bang bang bang. Read ‘em and weep.


PREACHER
.............................I can attest to the count. I baptized
.............................‘em all.


KENNY
.............................I attribute it to prayer. And no
.............................tobacco and no alcohol.


SKI
(Points to MORRIS)
.............................Careful on that last part, Kenny.
.............................Morris might grab you by the hair
.............................and throw you out for
.............................hurtin’ business.


Morris points to a photo on the wall of Kenny as a San Francisco Giant.


MORRIS
.............................I heard that, Ski. Kenny can say
.............................anything he wants in here.


Jimbo drains his cup. He’s visibly three sheets to the wind. Morris frowns, but refills him.


JIMBO
.............................Thinkin’ on this streak of yours.


KENNY
(A slightly crude gesture)
.............................What’s to think?


Everyone laughs.


JIMBO
.............................Just reachin’ out for a little clarification.
.............................Streak is where you run the table. Streak
.............................is where you hit the target every time, right?
.............................I’m wondering, are you counting Maddie
.............................in this streak of yours?


KENNY
.............................What’s your point, Jimbo?


JIMBO
(Belches)
.............................Well, Tammy’s producing. So’s Wendy.
.............................So’s Ria. No doubt on that. We seen the
.............................progeny. Can’t help but notice Maddie’s
.............................been on the quiet side.


IKE
.............................It’s a point for sure. She has - -


JIMBO
.............................So I got to be thinkin’ either you’re settin’
.............................her aside. Like with acreage that
.............................lies fallow? Or.


Ike laughs. Kenny stops him with a look.


PREACHER
.............................Maybe it’s time to change the damn’
.............................subject, Jimbo. We’re here to be with
.............................Kenny on this day of - -


JIMBO
.............................Not tryin’ to start a fuss. Just wondering
.............................what the rules are. Either it’s a streak
.............................or it’s - -


Morris suddenly stands behind Jimbo’s chair. He grabs Jimbo by the hair. Jimbo yells in pain and surprise as Morris jerks him to the door and tosses him out.


MORRIS
.............................Gettin’ to be a full-time chore keepin’ the
.............................lice and cockroaches out.


Kenny reaches out for the bottle.


KENNY
.............................Think I will.


PREACHER
.............................That’s my boy. Now how about let’s all
.............................just keep things peaceful and tranquil.
.............................Is that too much to ask?


The Preacher points to the mud on the knees of his jeans.


PREACHER
.............................Had a premonition about today. Doesn’t
.............................say anywhere God sleeps, says he rested
.............................once, but in the event He was asleep, I
.............................woke Him up. He knows about Ria, Kenny.
.............................Not ashamed to say I was on my knees
.............................in the corral muck pleadin’ her case.


KENNY
.............................I’m grateful.


PREACHER
.............................Just doing my job. Now drink up.


He draws close, whispers.


PREACHER
.............................And don’t fret about Sister Madeline. She’ll
.............................come around in her own time. Sara was
.............................barren into her eighties.



EXT. ON THE PATH SOMEWHERE - DAY


Jimbo staggers drunkenly along the path, mumbling and cussing to himself. Jonah waits behind a tree until he passes. Then he continues on his way.



INT. RUFUS’ OFFICE - DAY


A massive ornate office that literally screams governmental power. A large formal portrait of Bolivar up high in the most prominent spot. An inscription under the portrait.


INSERT: The Inscription


“IN THIS HOUSE, BOLIVAR IS BOSS”


BACK TO SCENE


Rufus and a SENIOR FBI OFFICIAL watch as a playback device runs a video of a convenience store robbery. We see five grainy figures with weapons drawn.


RUFUS
.............................Stop it there.


The FBI Official freezes it.


RUFUS
.............................Blow it up.


He zooms in. Rufus walks up and studies a six-foot image of Maddie’s face. She has an expression of crazed anger. A long silence.


RUFUS
.............................Where did you get this?


FBI OFFICIAL
.............................A bank in Nebraska foreclosed on a strip mall.
.............................This was on a hard drive.


RUFUS
.............................Were these five ever caught?


FBI OFFICIAL
.............................There were a number of such unsolved
.............................robberies about then. It was a chaotic
.............................time, sir.


Rufus glances at a large photo on another wall.


INSERT: The Photo


Kevin and Rufus, in sartorial splendor, seated in an antique auto, tipping their hats to the camera.


BACK TO SCENE


RUFUS
.............................Yes, it was.


The FBI Official zooms the video out, unfreezes it. We see Maddie swing her bat at a shelf of bottles, smashing them.



INT. THE TAVERN - DAY


The Preacher and Kenny sit. Kenny’s on his third beer. Morris stands at the bar.


KENNY
.............................There was me. And Ria. And Kid and Whit.
.............................Maddie was there, too. Poor Kid could hardly
.............................stand. We taped a wood splint under his pant
.............................leg, told him to prop himself against a wall
.............................and point the gun.


PREACHER
.............................I’m surprised. Kid and Whit in an outlaw gang.
.............................Never thought they had the balls.


KENNY
.............................They don’t. Maddie had their number.


The Preacher looks surprised.


PREACHER
.............................She was sleepin’ with ‘em?


Kenny laughs so hard he gets beer up his nose.


KENNY
.............................Sleepin’ with them? Hell no! They were scared
.............................to death of her. Didn’t want her anywhere near
.............................them. Didn’t want her using that bat on them.


Kenny belches. He suddenly gets maudlin.


KENNY
.............................Not proud of having been an outlaw. Wish
.............................I could give the money back.


PREACHER
.............................You didn’t kill anyone?


KENNY
.............................No.


PREACHER
.............................Didn’t take advantage of the women?


KENNY
.............................No.


PREACHER
.............................Remember David was a bandit. He robbed
.............................and extorted and sold protection. And God
.............................loved him. Money and goods are the Devil’s
.............................gift. Life and the soul are the Father’s gift.
.............................The damage you do to those is the hardest
.............................thing to forgive. Everything else is
.............................negotiable.


The Preacher starts to whisper a prayer. Kenny stops him.


KENNY
.............................Wait. One more thing. I got a son.


PREACHER
.............................He got a name?


KENNY
.............................Alan.



EXT. A CORRAL - DAY


Alan, 20, in an army uniform, astride an Arabian horse. A single gold bar on his collar.


KENNY (O.S.)
.............................Never claimed him as my own.


PREACHER (O.S.)
.............................Shame on you, Kenny Wetzel. Shame on you.


KENNY (O.S.)
.............................Yes, shame on me.


Galmiche and a GENERAL stand outside the corral fence, watching.


GENERAL
.............................His name, sir, is Wetzel.


GALMICHE
.............................Call him.


The General waves. Alan walks the horse to the corral fence.


GALMICHE
.............................They tell me your name's Wetzel.


ALAN
(Salutes from horseback)
.............................Lieutenant Alan Wetzel. At your service, sir.


GALMICHE
.............................Are you indeed?


ALAN
.............................Prove me, sir.



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Friday

42 DAYS - MELEK RIK....which is Arabic for King Richard...

MELEK RIK Screenplay, the first twenty-five pages, in which Madeline and Kenny leave their world of power and privilege and set out on a journey in which they relearn the hard lessons the present world has discarded....


FADE IN


INT. LARGE GLASSED-IN VIEWING AREA - NIGHT

SUPER: "CENTRE SPATIALE, FRENCH GUIANA. The year is 2019"

A GIANT ROCKET blasts off. We see the sharp, chiseled face of General Richard BOLIVAR, 48. He wears the robe and headdress of an Arab Prince.

BOLIVAR
(A sweet East Texas twang)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Amazing. No other word for it.


EXT. SATELLITE IN ORBIT OVER WASHINGTON, D C - NIGHT

SATELLITE TRANSMISSION
(In Arabic)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,God is great. I bear witness to no god
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,but God. I bear witness to...


INT. HENRYS OFFICE IN THE WEST WING - NIGHT

MADELINE SLEZAK, 22, stands in a shimmering evening gown.

HENRY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Just typical. Typical of you.

She walks to a wall covered with memorabilia: photos, mitts, jerseys, a Willy Mays bat, a baseball # 760 by Barry Bonds.

HENRY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You do good, then you do bad.

A huge full-color poster: SAN FRANCISCO GIANTS - 2011 WESTERN DIVISION CHAMPS. She focuses on a picture. A grinning 27 year-old pitcher in a classic stretch pose.

HENRY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You want me to listen? Sure. No, I
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,won't interrupt. I promise I won't.

She plants, tosses a ball up, swings, nice smooth cut. The ball sails through an open window. Her fingernail flashes.

KENNY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Oh, Maddie. Maddie, Maddie, Maddie.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Guess where I'm standing?

KENNY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Umm. Somewhere naked?

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Henry's office. By your picture.

KENNY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Kiss it for me. See you at the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,ball, Cinderella.

Her fingernail flickers off. A shadow behind her.

HENRY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Oh no. Please don't tell me.

She turns to see HENRY SLEZAK, 62, in tux and tails.

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Don't say you got a phone implant.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Salesman said, if I'm buried in
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,rubble, they can find me, even if
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,it's switched off.

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Good selling point. Quakes in DC.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,That was Jeremy?

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Made a girl pregnant. Never thinks.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Never plans. We planned. Didn't we?

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Yes. Yes, we did.

He offers his arm. They walk as if in a fashion show.


EXT. THE ROSE GARDEN RECEPTION - NIGHT

Tuxedoes, gowns, a SWING BAND. KENNY WETZEL, 35, an older version of the poster boy, strolls at edge of Crowd. Bolivar, chestful of medals, huddled with RUFUS MEADOWS, 35, and GEORGE GALMICHE, 55. Henry and Maddie enter, arm in arm.

LIVERIED DOORMAN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Henry and Madeline Slezak!

The PRESIDENT, 55, big smiler, rushes up, two AIDES with him.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Henry! And Maddie.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Mister President.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Mister President?!? You haven't
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,got your bride trained yet.

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Doing my best, sir.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,She's probably too smart for you.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Maddie, repeat after me. Danny.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Danny.


ANOTHER PART OF THE ROSE GARDEN - NIGHT

Galmiche comes up behind Kenny, gathers him in a bear hug.

GALMICHE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,We're pulling for you, Kenny.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Thanks, Mister Galmiche.

GALMICHE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,George. Call me George.


STILL ANOTHER PART OF THE ROSE GARDEN - NIGHT

The President & Henry watch a handsome OLDER MAN dancing with MIMI, 59. Mimi is Henry's ex. Henry is pissed.

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,What's that SOB even doing here?

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Looks like he's dancing with your ex.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,What's the matter? Want her back?

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Fuck, no! It just looks so tacky.

The President beckons CIA MAN, 36. The CIA Man approaches.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Ben says Iraq launched a satellite.

CIA MAN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Comsat, sir. Encrypted real time
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,voice comm for secure trans - -

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Last year General Bolivar looked me
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,in the eye, told me Iraq would rely
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,on us for its satellite needs. Thanks,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Ben. You can leave.

He eyes Bolivar, Galmiche and Rufus.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,What's up with our guy in Iraq?

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Maybe he's not our guy anymore.

Brief look of fear in the President's eyes. They watch Mimi.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Helluva job you did on the campaign.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I'm grateful. Anything you want?

Henry nods toward Kenny.

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Kenny could use some help.


A TABLE NEAR THE DANCERS - NIGHT

Maddie, the center of attention, sits with seven WASHINGTON MATRONS. Mimi, champagne flute in hand, approaches.

MIMI
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Well, look here! Cinderella and her
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,seven Fairy Godmothers! I pity
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,her, pity the trophy wife.

AN AIDE appears, clears his throat. She drops her flute. It smashes on the floor.

MIMI
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Let them clean it, Snow White. God
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,forbid you cut your finger.

Kenny walks past. Kenny and Maddie lock eyes, then look away.


INT. MADELINE'S CAR - DAY

Maddie drives, following Kenny's car. The radio is on.

KENNY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,No question. But he's gotta learn
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,to keep it inside to pull hitters.


INT. KENNYS CAR - DAY

SPORTS TALK SHOW HOST 1 (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Kenny Wetzel, former Giant with us.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Kenny, gotta ask, you always said
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,you got a raw deal, what about the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,rumor you might be reinstated?

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,When I know something, you'll know - -

SPORTS TALK SHOW HOST 2 (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Course it's not connected to your
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,working for Henry Slezak.


EXT. BATTING CAGES - NIGHT

TIGERS BATTING CAGES A neon tiger sign. Kenny and Maddie hit liners. WHUMP! Madeline on one knee, hand on her breast.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Not supposed to crowd the plate.

MADELINE
(Through gritted teeth)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I wasn't.

Kenny goes back to hitting. A crash. He turns and freaks. Maddie pounds the pitching machine with her bat. Kenny rushes in.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,The hell you doing?

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Assholes! Plunking me on the tit.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Think that's an accident?

Kenny suddenly gets serious, looks toward the Park office.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Wait here. Don't move.


INT. SPORTS PARK OFFICE - NIGHT

Two TEEN-AGE BOYS laughing. Suddenly, Kennys behind them. Kenny brings his bat down on a desk, splintering it.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You lads best go apologize. Now.


INT. KENNYS BEDROOM - NIGHT

SF Giants memorabilia cover the walls. Maddie, her top off, a big black and blue mark. She looks at herself in the mirror.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I'm thinking. When I'm reinstated,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I want you to come with me.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Come with you? To San Francisco?

Kenny nods.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,God, Kenny. Leave Henry. Suddenly,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,this is going to a whole new level.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Not right away. I mean, you just
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,married him. I mean wait until - -

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You have to understand. With
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Henry, important people talk to me.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Danny Prophet calls me Maddie.

She gingerly puts her top on. It's painful.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You naive? You're there for looks.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You're an old man's arm candy.

Maddie lashes out, slaps him. Her nails cut.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I'm not a trophy wife! People
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,smarter than you say I'm smart.

She walks away. She stops, turns.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You got no right to talk. Didn't
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,they call you Cheatzel Wetzel?

She slams the door on the way out.


INT. A DENNY'S-TYPE RESTAURANT - DAY

DONNA, 32, and ALAN, 9. Alan looks like Kenny. Kenny enters.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Don't have a lot of time.

DONNA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Good to see you, Kenny.

ALAN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Can I touch your $50 million arm?

DONNA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I told him about the Giants putting
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,the insurance policy on your arm.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,He tells everyone his dad - -

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Whoa whoa! His dad? His dad?

DONNA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,It's just at school, Kenny.

Kenny throws a twenty on the table, gets up and storms out. Tears in Donna's eyes. Alan looks up at her, confused.


EXT. LAFAYETTE PARK, ACROSS STREET FROM WHITE HOUSE - DAY

PROTESTORS wave signs, OUT OF IRAQ NOW!


INT. THE CABINET ROOM, THE WEST WING - DAY

The 15 CABINET MEMBERS wait. We see Galmiche there.


INT. THE HALLWAY OUTSIDE THE CABINET ROOM DOOR - DAY

KEVIN HURT, 35, powerful upper body, in a wheelchair. Sound of footsteps. The President walks towards the double door. Behind him, Henry and Kenny. They walk around Kevin like he's not there. They get to the door. The President stops.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I'm thinking. Maybe we better not.

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Danny, let's do it. Go for it. Now.

A brief look of fear, indecision in his eyes. Then.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,kay. Yeah. Let's roll.


INT. THE CABINET ROOM, THE WEST WING - DAY

Henry stands behind the President. A tight grin.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Polls look real good. We're gonna
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,win big. No question.

They applaud. The President raises his hand for silence.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,...About second terms. Historians
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,say second terms are dead ends.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Suddenly you're a lame duck and.

He looks straight at Galmiche. Galmiche looks away.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Everyone's thinking next time.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,That's not happening. Not with me.

The President turns, walks out. The door clicks shut.

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Didn't you people hear him?!? The
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,President wants your resignations!


INT. A MEDIA ROOM SOMEWHERE IN THE WEST WING - DAY

Closed circuit TV broadcast. The President watches as Cabinet Members sign Letters of Resignation and hand them to Kenny.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Henry, you fucking genius, you!


INT. KENNY ON THE PHONE IN HIS OFFICE - DAY

MADELINE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,...Trying to be a good wife. But
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,with you, I feel dirty. No offense.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Fuck you then.


INT. SOMEWHERE IN THE WHITE HOUSE - DAY

The President at a pinball machine, Henry at his side.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You work too hard. When you get
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,back from Korea, take a rest.

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Don't need a rest.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Bull. Why doncha take that young
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,bride of yours up to the cabin for
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,a week and fuck your brains out?

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,That might be fun.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,George and I are going to Florida.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Make speeches. Press the flesh.

The pinball machine goes bang, bang, bang.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I'll be seeing the Baseball
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Commissioner. I'll mention Kenny.


INT. WEST WING RUFUS MEADOWS OFFICE - DAY

Classical music blasts. A screen displays Galmiche & Bolivar.


INT. A MILITARY BUS - DAY

Eight Iraqi OFFICERS sit. The bus enters an Army Base.


EXT. THE SATELLITE IN ORBIT - DAY

SATELLITE TRANSMISSION
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Bear witness to Muhammed...


INT. GALMICHE'S KITCHEN - DAY

Galmiche baking bread, sliding loaves in and out of a big oven . A screen displays Rufus and Bolivar.

GALMICHE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I'm sure Danny suspects something.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,We need to move it up.

BOLIVAR
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,What do you think, Rufus?


INT. A CONFERENCE ROOM - DAY

The eight Officers march in.


INT. RUFUS OFFICE - DAY

RUFUS
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,All I want, at the end of the day,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,is being on the right side of history.


INT. AN AUTO SHOP WITH A LIFT AND A GREASE PIT - DAY

Bolivar in mechanics coveralls under the hood of a 68 Plymouth Roadrunner. Two Arab MECHANICS assist him.

BOLIVAR
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,If we win, we write the history.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,It's moved up. Happy, George?

The screen goes black. The Mechanics slide a robe on him.


INT. A CONFERENCE ROOM - DAY

The 8 Officers seated bolt upright. The door opens.

BOLIVAR
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Seats, Gentlemen.

All eyes on Bolivar. He sits. He speaks in Arabic.

BOLIVAR
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You are the best in the nation, the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,most trusted. That is why you were
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,selected. Iraq is in danger...


INT. HENRY'S OFFICE - DAY

Kenny at Henry's desk. Door opens. Kevin motors in.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Mister Slezak's in North Korea.

Kevin nods at the memorabilia wall. He motors up close.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Mays. Willie McCovey. Legends.

He motors slowly along the wall.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Barry Bonds. Sad. Greatest home run
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,hitter ever. He can't leave the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,house. All those accusing stares.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Stubborn man. Keeps denying.

He picks up a bat, takes a swing. He has a strong upper body. He points the bat at a picture on the 2011 poster.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Same with that fellow you played
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,with. Jamaal Covington? Deny. Deny.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Know what happens? You die a bitter
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,old man with a shattered legacy.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I didn't cheat.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,If they'd just admit it, do a little
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,penance, charity work, the powers
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,that be'd let 'em back in.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Said I didn't cheat.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Where'd you get I'm talking about
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,you? Talking about Barry Bonds.

He motors out, whistling Take Me Out To The Ball Game.


EXT. THE CURB OUTSIDE HENRY & MADELINES CONDO - DAY

Maddie takes her gearbag from car, walks toward the condo.


EXT. THE CURB ACROSS THE STREET DOWN THE BLOCK - DAY

Kenny, in his car, watches her. He smokes a cigarette.

GALMICHE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,He's changed his mind. Listen.

RUFUS (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Uh hi. George? Sorry I missed
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,you. Listen, I've been thinking...


INT. RUFUS OFFICE - NIGHT

Kevin can be seen in the outer office.

RUFUS
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Just think we should hold off.

GALMICHE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Didn't want to tell you this, but
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,after the election, Danny's gonna
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,make Henry Chief of Staff.

RUFUS
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,What!!??

GALMICHE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You take care, Rufus.


EXT. SATELLITE IN ORBIT - NIGHT

SATELLITE TRANSMISSION
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Hasten to prayer. Hasten...


EXT. CORPORATE JET DESCENDING OVER WASHINGTON, DC - DAY


INT. RUFUS OFFICE - NIGHT

Rufus in a rage throws a half-eaten apple at a portrait of Danny Prophet. It sticks, then slides off. Kevin watches.


INT. CORPORATE JET PASSENGER CABIN - DAY

Sound of plane slowing down. The 8 Officers stand. A tall Officer dons an Arab man's robe. The others don burqas.


INT. WEST WING WEIGHT ROOM - DAY

Kevin bench presses. Rufus enters. Kevin sees him in mirror.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Didn't like Galmiche touching you.


INT. HENRY AND MADELINE'S CONDO - DAY

Doorbell. Maddie opens the door. JEREMY, 21, and CHLOE, 17. Chloe's in a family way. Henry emerges from the study.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Look. It's Jeremy.

HENRY
(Points to his study door)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Let's talk in there.

Jeremy pulls Chloe up to him.

JEREMY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Dad, I want you to meet - -

HENRY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Are you coming or not?

They go in. The door closes. A long silence. Chloe giggles.

CHLOE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Gonna be weird calling you Mom.


AT THE FRONT WINDOW - DAY

Maddie and Henry watch as Chloe and Jeremy drive off.


EXT. THE SATELLITE IN ORBIT - DAY

SATELLITE TRANSMISSION
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Hasten to prayer. Hasten. Hasten...

GALMICHE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Danny made a schedule change.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Game's today instead of tomorrow.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Means we go without Rufus.


INT. HENRY'S MERCEDES - DAY

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I'm not arm candy or a trophy wife.


INT. KEVIN'S TWENTY-YEAR-OLD TAURUS - DAY

The same road Henry & Maddie are on. Wheelchair folded in back. Kevin drives, Rufus beside him, map on his lap. They pass through an intersection.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Wasn't that the turnoff? You're the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,navigator, dammit!

Rufus makes a big ordeal out of unfolding the map.

RUFUS
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,If we had a new car, we wouldn't
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,need a map. Just punch in the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,address. Or do a ping. Or...

Kevin turns, glares.

RUFUS
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,When we get there, I want you to
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,just talk to him. No crazy - -

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Don't use that word.


INT. MIAMI AIR TERMINAL - DAY

Six of the Officers in Arab dress pass a flat panel screen displaying a baseball game. Sound of stadium organ.


INT. STADIUM PEDESTRIAN TUNNEL - NIGHT

Stadium organ playing. A WAITER with tray of snacks emerges to a packed rocking stadium. The GUARD waves him by.


EXT. ROGER DEAN STADIUM, WEST PALM BEACH FLA - NIGHT

SUPER: "WEST PALM BEACH, FL"

Holographic IMAGES of the President and the BASEBALL COMMISSIONER float above pitchers mound.


EXT. MICROVAVE ANTENNA ON WEST WING ROOF - NIGHT


INT. WEST WING SECURITY CENTER - NIGHT

Dusk. Subdued lighting. A long narrow room. A monitor runs the length of wall. Technicians at consoles. Images of the President and the Commissioner standing in field box.


EXT. ROGER DEAN STADIUM - NIGHT

Six Officers in Arab dress, their faces concealed, walk with trays of snacks. Sound of bat hitting ball, crowd cheering.


EXT. A CABIN IN THE WOODS - NIGHT

Dusk. Henry's Mercedes in driveway, the trunk open.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I need a quick walk to relax.

Maddie strides down driveway. Henry carries things inside.


INT. A HALLWAY IN THE WEST WING - NIGHT

Boots on tile. Two MEN in military garb walk toward a guarded door. We see they are two of the Iraqi Officers.


INT. KEVIN'S CAR ROUNDING A TURN IN FOREST - NIGHT

Headlights frame Maddie powerwalking. Rufus scrunches down.


EXT. THE SCOREBOARD AT SEVENTH-INNING STRETCH - NIGHT


EXT. A MEN'S BATHROOM SOMEWHERE IN THE STADIUM - NIGHT

A sign: CLOSED - USE NEXT BATHROOM. An arrow points.


INT. THE MEN'S BATHROOM - NIGHT

Ballpark sounds through wall. The six Officers now in military garb, robes on the floor. They wait, stone-faced.


EXT. ROGER DEAN STADIUM - NIGHT

Empty diamond. FANS stream out of stadium.


INT. OUTSIDE DOOR AT THE END OF THE WEST WING HALLWAY - NIGHT

The two Officers present their IDs.

OFFICER 1
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Reporting for the security audit.

The GUARDS run the IDs in the scanner. It churns, it clicks.


EXT. THE SATELLITE IN ORBIT 320 MILES UP - NIGHT

A low hum.


INT. THE PEDESTRIAN TUNNEL - NIGHT

The President and Commissioner walk, the Commissioner's cane tapping on the cement. Galmiche stays back.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Hell of a job, Mister Commissioner.

COMMISSIONER
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Appreciate your confidence.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,They asked for a man who could kick
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,ass, take names. I said you, Carl.

COMMISSIONER
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,It ain't over yet.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,That's what I want to talk about.


EXT. IN ORBIT 320 MILES UP - NIGHT

The hum changes to a high-pitched buzz.


INT. OUTSIDE DOOR AT THE END OF THE WEST WING HALLWAY - NIGHT

Scanner emits a low hum. We see the Officers have earplugs.

GUARD
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Taking a long time to validate.


INT. THE PEDESTRIAN TUNNEL - NIGHT

COMMISSIONER
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Raw deal? Who? Gimme names.


EXT. IN ORBIT 320 MILES UP - NIGHT

The buzz becomes a shriek, then a howl.


INT. OUTSIDE THE DOOR AT THE END OF THE HALLWAY - NIGHT

The scanner goes from a hum to a screech. The Guards cover their ears. Smoke comes from the Officers' mouths and noses.


INT. WEST WING SECURITY CENTER - NIGHT
Image of President in tunnel on screen. WHUMP!! An quake-like shock. The wall collapses, screen shatters, ceiling caves in.


EXT. LAFAYETTE PARK, ACROSS STREET FROM WHITE HOUSE - NIGHT

WHUMP!!!!!!! Flames shoot from the windows of the West Wing.


EXT. ENTRANCE TO PEDESTRIAN TUNNEL AT BALLPARK - NIGHT

The Guards video goes black. He draws weapon, runs inside.


INT. WITH THE OFFICERS INSIDE THE MENS BATHROOM - NIGHT

The comm devices flash red. They draw weapons, rush out.


EXT. A SEMI-DESERT - DAY

SUPER: "SOMEWHERE IN IRAN"

In distance, a helicopter. A CROWD of men. A glint of steel.

CROWD
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Melek Rik! Melek Rik! Melek Rik!

The Crowd parts, chanting. Bolivar stands, sword in hand, over an OLD MAN, headless. Bolivar walks toward a TV CREW.

TV TECHNICIAN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Five, four, three, two, one, go.

BOLIVAR
(In Arabic)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Brothers. Sisters. Comrades. A
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,great evil has been averted.


INT. THE PEDESTRIAN TUNNEL - NIGHT

A hand pulls a weapon. A single loud shot. The Guard lies bleeding. The six Officers appear, seemingly from thin air.

GALMICHE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,A traitor, plotting to kill you.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,My God, George! Darnell's dead.

Galmiche waves his weapon. Sound of helicopters approaching.

OFFICER 1
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,We need to load up and leave, sir.

PRESIDENT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Who are these men, George?

Officer 2 has a syringe. The President's eyes on Galmiche.


MONTAGE - BOLIVAR'S SPEEECH

-- Two FEMALE COLONELS watch a monitor.

BOLIVAR
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Hostile forces made an attempt on.

-- A FLIGHT CREW watches on a hand-held video.

BOLIVAR
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,The President's Life. They failed.

-- 1,000 SAILORS on flight deck watch a hologram of Bolivar.

BOLIVAR
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,My forces are on the highest alert.

-- A SQUADRON of Jet Fighters fly in formation.

BOLIVAR (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Keep your powder dry. That is all.

MONTAGE ENDS

BACK TO SCENE

Bolivar turns, walks away. In the far distance, on the horizon, a flash, then a mushroom cloud.


EXT. NEXT TO KEVIN'S CAR OUTSIDE THE CABIN - NIGHT

Rufus inside, classical music at full volume. Wheelchair tracks in the dirt. We hear Maddie's muffled sobs. A shot.

KEVIN (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,That's so everyone knows this is.


INT. CABIN - NIGHT

Bullet hole in bathroom wall up high. An antique knob on the bathroom door with an old-fashioned key in the keyhole. Maddie's muffled sobs through door.

KEVIN (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Real. Not a fairy tale. Not some
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Snow White or Cinderella story.

Sports gear on floor. We see a canopy bed and a low ottoman at the foot of the bed. Henry, in boxers, stands on ottoman, a noose on his neck pulled taut, the rope looped over the cross-brace above him and down, tied to the wheelchair.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,We're gonna chat about my friend.

Henry grips the rope. His demeanor is one of helpless rage.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I don't have your attention yet.

He fires high at bathroom wall. Sound of bullet hitting pipe.


BATHROOM - NIGHT

Gaping hole. Wallboard dust everywhere. Water sprays. Maddie stands, a canvas bag on her head locked at the neck. We hear her muffled sobs. She feels along the wall,
around the sink.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Oh God! Henry! Henry!


INT. KEVIN'S CAR - NIGHT

RADIO NEWSCASTER (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,To repeat, an attempt on the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,President's life. He is unharmed...

RUFUS
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Oh damn damn damn! It's starting!


INT. BATHROOM - NIGHT

Maddie's hand finds the medicine cabinet. Bottles and toiletries tumble out. She finds a pair of MEDICAL SCISSORS.


BEDROOM - NIGHT

The rope tightens. Suddenly, Henry's on his tiptoes.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Now do I have your attention?


BATHROOM - NIGHT

Maddie bleeds from cuts on her hand. Ripped pieces of canvas hang from her neck. She slams her shoulder into the door.


BEDROOM - NIGHT

The rope slackens.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Tell her to stop. Now!


BATHROOM - NIGHT

She slams into the door, harder this time. The frame splits.


BEDROOM - NIGHT

She crashes through, splinters flying. Kevin spins around.

KEVIN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,What the hell?!?

The rope jerks Henry. He tears at the noose, kicking, thrashing as Maddie summersaults toward the sports gear. Kevin fires, misses. Madeline grabs the bat, springs up. Henry, swinging, blocks her way. Kevin fires, hitting Henry. His weapon jams. Maddie comes around Henry, bat upraised. Kevin powers backwards, lifting Henry. He throws his weapon.


EXT. THE CABIN - NIGHT

Music blasts. Rufus, outside, tries his phone. Busy.

RUFUS
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Hurry! They're starting without us!

He reaches in, leans on the horn. Horrific shadow cast on curtain of a beating taking place. He runs up to the door.


INT. THE LEAD COPTER WITH GALMICHE & THE PRESIDENT - NIGHT

GALMICHE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Reports!

VOICE 1 ON SPEAKERPHONE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Capitol secured, Sir.

VOICE 2 ON SPEAKERPHONE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Pentagon secured, Sir.

VOICE 3 ON SPEAKERPHONE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Vice President secured, Sir.

GALMICHE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Amazing how peaceful it went.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Amazing. Like a church service.


INT. BEDROOM - NIGHT

Kevin's gun below Henry's limp swaying feet. Maddie, bloody, a wild look as she pounds Kevin to a pulp. Rufus appears at the door. He sees, gasps, and runs. She turns, sees, pursues.


EXT. THE WOODS OUTSIDE THE CABIN - NIGHT

Rufus runs down the hill, thorns tearing at him.

RUFUS
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Damn you, Kevin! Damn you!

On the hill, Madeline, bat held like a warclub, the cabin lights enveloping her like an avenging angel. We hear her shrill scream. Rufus stops, looks. He tries his phone. Busy.

RUFUS
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Where'll I go? Kevin! Damn you!

He plunges deeper, thorns rip and tear him bloody.


INT. KENNY'S BEDROOM - NIGHT

Kenny in his boxers, smoking a cigarette.

TELEVISION ANCHORMAN (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Arson and riots up and down the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,eastern seaboard. We go to Tampa.

TELEVISION REPORTER (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Outside Raymond James Stadium.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Reports of summary executions - -

Kenny switches it off. The screen goes blank.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Hell's going on? Henry, get back.

His phone flashes.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Can't talk now.

He listens for a beat.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Said I can't talk. All kinds of shit.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Maddie, lemme talk to Henry.


EXT. THE CABIN - NIGHT

Maddie stands at cabin door staring in, not daring to enter.

KENNY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Who? Who killed Henry?

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Hanged him! One had a wheelchair.

KENNY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Wheelchair? Shit! Get out now!

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I killed him, Kenny. I killed him.


INT. KENNY'S BEDROOM - NIGHT

Kenny hurriedly gets dressed.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Stay off the phone. They'll track
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,you. Don't use Henry's car. It's
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,wired. They'll track it.

MADELINE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Who are they, Kenny?

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,The wheelchair. Is his car there?


INT. COCKPIT OF JET FIGHTER - NIGHT

MADELINE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Yes.

KENNY (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,It's a 98 Taurus. Stick shift.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Unwired. Use backroads. Meet me at
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,the Tiger Cages. Got that? The
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Tiger Cages. Now hang up. Do it.

PILOT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Pick up Slezak's wife at the zoo.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Watch for a 20-year-old Ford. Out.

FEMALE VOICE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Roger. Release authorized. Out.


EXT. UNDERSIDE OF FUSELAGE - NIGHT

Blinking lights. Bay opens, SMART BOMB releases.


EXT. KENNY'S HOUSE - NIGHT

We see Kenny rush outside, buckling his belt, zipping up.


INT. A ROOM SOMEWHERE - DAY

A blinking red box on the monitor. A gold dot moves across the screen toward it. Two fingers on a touchpad, working in concert, with precision, panache and pizzazz.

FEMALE VOICE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Closer. Closer.

The fingers touch. The dot slides into the box. The red box blinks gold. The fingers press down.


EXT. OUTSIDE KENNYS HOUSE ACROSS THE STREET - NIGHT

As Kenny unlocks his car, WHUMP!!! He turns. A fiery flash, his house imploding, then collapsing inward. Lights switch on up and down the street. We hear a man running in the dark.


EXT. ON A NARROW COUNTRY ROAD - NIGHT

Kevin's car lurches forward, gears grinding, headlights on high beam. The engine races. Fires and explosions on horizon.


EXT. OUTSIDE KENNY'S HOUSE - NIGHT

POLICE and MILITARY VEHICLES. A MAN runs up to a COP.

MAN
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Can I report a stolen tow truck?


INT. IN THE TOW TRUCK ON THE ROAD TO THE TIGER CAGES - NIGHT

Lights flashing, siren wailing. We pass buildings ablaze. Kenny comes to an Army CHECKPOINT manned by a lone SOLDIER.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Snipers at Baileys Crossroads!
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Colonel Duran says get there ASAP!

SOLDIER
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,S'posed to check your ID!

Kenny tosses his ID to him. Soldier drops his gun catching it. Kenny roars off, leaves Soldier in dust.


EXT. BATTING CAGES - NIGHT

Kenny stands under the Tiger neon sign. High beam lights in the distance. Sound of grinding gears. He shakes his head.


INT. TOW TRUCK - NIGHT

Madeline has the bloody baseball bat across her lap.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Any idiot knows you drive with the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,lights off to evade apprehension.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Evade apprehension. Listen to you.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,What is this anyway?

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,It's a tow truck.

Kenny grins mischievously

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I stole it.

She gives him a look of shock mixed with amazement.


EXT. A HAYSTACK - DAY

Daybreak. Kenny and Madeline asleep. The bloody baseball bat between them. Sound of men's voices. Madeline's eyes open.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Kenny! Someone's out there.

They look together. Two police cars, lights flashing. One POLICEMAN is kicking the tow truck's tires. A second is on a comm device. Sound of a train in the distance.


INT. A RAILROAD BOX CAR - NIGHT

The train moves slowly. Kenny and Maddie sit, stare out a half-open door, the bloody bat between them.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Where are we going?

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,That way.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Which way is that?

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Out. Somewhere.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,How do you know it's not going back
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,to where we came from?

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Because the boxcar is empty. It's
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,going somewhere to get filled up
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,and then it'll come back.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You are really stupid.

He rolls onto his side, his back to her.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Smarter people than you have called
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,me stupid.

She rolls onto her side, her back to him.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Soon as we're safe, cuttin' you loose.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I'm choked with anticipation.


INT. THE ROOM - NIGHT

Screen and touchpad. We see the hands, crocheting a doily.

MALE VOICE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You missed.

FEMALE VOICE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I hit the building.

MALE VOICE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Close is only in horseshoes.

Long silence. She stabs herself with her crochet hook.

FEMALE VOICE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Ow! I won't miss next time.


INT. THE BOX CAR - NIGHT

Artillery in the distance, small arms fire close by. Maddie stirs, unable to sleep. The train passes a burning building. Two MEN and a WOMAN dash toward the boxcar. This is Kid, Whit & Maria. A BIG MAN in an Army uniform pursues. He closes on them, fires a pistol. Kid falls. He's hit.

Maria and Whit drag Kid forward. The Big Man advances, makes ready to kill them. Suddenly, a rock strikes him in the forehead. THUNK!!! He drops like a bag of dirt. Maddie turns, sees Kenny in a classic pitcher's follow through.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Ole number one basic high hard one.

Maddie sticks the bat out. They grab on, pull themselves up.


INT. COCKPIT OF THE JET - NIGHT

PILOT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Niner Zero Two on station. Out.

FEMALE VOICE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Stand by for hard scan download.


INT. THE BOX CAR - NIGHT

WHIT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Just rest, man. Rest.

KID
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Can't.

WHIT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Yes, you can, Kid. Don't quit now.

MARIA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,That's Whit. Medic. Knows his shit.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Medic. So you're Army.

WHIT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Let's just say we used to be Army.

Whit opens a medical kit, starts cleaning Kid's wound. He's very gentle, very nurturing. Maria lets a cat out from inside her blouse. It huddles against her, frightened.

MARIA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Little Maria. I'm Big Maria.

WHIT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Gonna hurt. Bite down hard, man.

Kid cries out, drowned out by the train whistle.


INT. A HELO FLIGHT DECK - NIGHT
The cabin below, a pile of glowing ashes. In the center, a horrifically blackened wheelchair frame. Helo spotlight floods the cabin. Rufus in front of the ashes, bathed in the light, bloody, naked, waving insanely.


INT. THE BOX CAR - NIGHT
Whump! Distant heavy artillery. The train moves slowly. Whit takes out a pack of cigarettes, offers it. Kenny reaches out. Whit jerks the pack back.

WHIT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You got implants, man.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Yeah. We both do. You need to
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,make a call, feel free to - -

WHIT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You have to leave.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,What?

MARIA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,They can track you.

WHIT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,They track you, they track us.

MARIA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,They will kill us.

Kid groans. They pass burning buildings. In the red flames, bodies can be seen, hanging from power lines.

MARIA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,They can't track us.

Maddie & Kenny watch wide-eyed as Maria, then Whit, holds upa finger, cut off at the knuckle. Whit holds up Kid's stump.

MARIA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Didn't hurt much. We used this.

She takes out a Chinese chopping blade. She grins.

MARIA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Stole it from the galley.


INT. COCKPIT OF THE JET - NIGHT

Screen on control panel displays download at 90%.


INT. THE BOX CAR - NIGHT

Flames and flashes of explosions in the distance.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,It's my life! It was insured for
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,fifty million dollars. Can you even
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,comprehend what that means?

Maddie rolls her eyes. Kid groans.


EXT. THE JET - NIGHT

Fires, flashes, explosions below along the railroad track.

PILOT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Hard scan complete. Out.

FEMALE VOICE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Roger. Out.

Jet goes into a dive toward the train.


INT. THE BOX CAR - NIGHT

Suddenly, an earthquake-like shock shakes the train.

MARIA
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Scanners. They're looking for you!

WHIT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You have to leave. Now!

Kid groans. Maddie takes hold of the blade. The train passes a burning building. Three female bodies hang from a high fence. She runs her finger along the blade.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,I'm not going back there. I am not.

A stronger shock rolls through the train.

KENNY
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Guess this is where we part
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,company! Not gonna say it's
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,been a pleasure.


INT. THE ROOM - DAY

We see the screen. We see the train. We see the hands flexing nervously over the touchpad.

FEMALE VOICE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Come on. Come on! Hurry!


INT. THE BOX CAR - NIGHT

Kenny lies on floor, unconscious. Maddie stands over him with the bat. She raises the blade, looks at Whit.

MADELINE
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Hey Medic! Get over here!


INT. COCKPIT OF THE JET - NIGHT

The Jet hovers just above the last car of the train.

PILOT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Starting hard scan car by car.

An electrical field envelops last car, setting it afire.


INT. THE BOX CAR - NIGHT

A shock wave rolls through the car. Kenny, finger bandaged, coming to. Maddie stares at her bandaged finger. Whit tapes a package to the cat's torso.

WHIT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Bye, Little Ria. Hope you make it.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,You're gonna need your nine lives

Whit tosses her out of the boxcar onto a soft grassy spot.


EXT. THE TRAIN - NIGHT

In the distance, fires and explosions. The last three cars, one a tank car, are ablaze. The Jet hovers menacingly.


EXT. A FOREST - NIGHT

Little Maria, tape around her, walks stealthily by a creek.


INT. COCKPIT OF THE JET - NIGHT

Screen on control panel displays two gold blinking lights.

PILOT
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, Strong signals. They left the
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, train. They're by the creek.

FEMALE VOICE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Roger. I have them, too. Get up
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,to altitude and release. Out.


EXT. A VIEW FROM 30,000 FEET - NIGHT

The long freight train drags the burning cars along the track. Suddenly, a flash. An explosion.

FEMALE VOICE (O.S.)
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Good bye. Farewell. Avoir. Adios.
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,Dehnaderu. Zai jian. Phir milenge.

The Jet rockets upward in a steep climb, does a victory roll, vanishes.


EXT. ENTRANCE TO A TRAIN TUNNEL - NIGHT

The cars enter a tunnel. The three burning cars clip the portal, rip loose, explode. The portal collapses, sealing the entrance.




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